I know I seem to be posting on a semimonthly basis but school has my butt completely whooped and when it comes to fandom these days, I can’t seem to concern myself with anything other than VIXX. I reluctantly (and slightly ashamedly) admit that I now eat, sleep and breathe VIXX. This comeback is everything I ever wanted and more and I have little qualms in deeming it as The Era. It’s really their best yet, and how appropriate too that it happens with their first full-length album. I have so much hopes for this promotion cycle and I know Jelpi does too since it obviously invested a ton of money into this comeback. Just the wirework in the MV, the makeup and special effects, the (now deflated) giant voodoo doll that hangs outside their company building, and let’s not forget all the new merch that was sold at the Milky Way finale. Jelpi is small, we all know that, so it’s heart-warming to know how much the CEO believes in the six of them.
I didn’t plan on writing about VIXX since I can’t exactly afford the time to but I feel like if I don’t talk about their comeback somewhere, I might actually explode. So I decided to do a short round-up, now that first week’s stages are done with. Sadly, there was no M! Countdown this week due to MAMA (and next week too, I think).
1. Show Champion (13.11.20)
This is my favourite stage so far! It’s also the first time they perform ‘Voodoo Doll’ live (Milky Way doesn’t count for me and the shots were terrible anyway). It’s far from a perfect stage but it was definitely perfect in my eyes. This is also the only performance we get before they revised the choreography because it’s supposedly too violent and will influence kids to go around stabbing each other…or something. It’s pretty bullshit and I felt personally affronted when I first heard the news but after seeing the subsequent stages, it isn’t….as bad as I thought.
Show Champion‘s camerawork and editing are usually really straightforward and simple but I don’t mind it here because you get to see the full extent of the choreography and they’ve not only managed to strike the perfect balance of close-ups and long shots, they’ve also got the timing down pat so that the camera cuts to a close-up of the member just as he starts his line. Best of all, the part where Leo falls dramatically to his knees was captured perfectly. I won’t go too much into the choreography and the whole tie-in with their previous concepts because this will just turn into an essay so I’ll probably link to the article I wrote for Dinoseoul once that’s up.
2. Music Bank (13.11.22)
Ah, Music Bank, you never fail to disappoint with your shoddy camerawork. I always believe the Mubank cameramen sleep on the job because they always cut to a close-up a few seconds too late. I will always remember how during Ravi’s rap in one of the ‘G.R.8.U’ stages, the camera actually cut to Hyuk instead (probably because they’re both blonde) so the part where Ravi did his bunny ears intro was completely missed. Tsk.
Even though they completely missed Leo’s fall to the ground here, this stage was still pretty damn decent for a Mubank one. The boys are killing it each time with their energy but if the camerawork sucks like hell, it can still take the experience away from the viewer. I, for one, usually get quite affected by this because when all the key points of a performance isn’t captured as it should be, it just makes me very frustrated watching it. It’s like, the performance is perfect, but why are you only capturing a mere fraction of that????? ¿¿ I have to say though that I’m really really glad Mubank gave VIXX time to also do ‘Only U’ since the subsequent two major stations didn’t.
3. Music Core (13.11.23)
This was my second favourite stage after Show Champ‘s only because we don’t get the original choreo (yeah yeah I’m getting over it). Music Core seems to really love showing off their fancy slow-mo editing and well, I’m not complaining. It makes the stage look super cool and their timing was spot-on, I’m so happy!!! With this stage, it feels like the cameramen actually know the choreography like the back of their hands so they’re able to anticipate and cut to the right member on time. I don’t know what the significance is of having N be the only member who has his suit buttoned up but given the vigour of the moves, I can’t say I’m surprised the back of his jacket ripped right open midway through the performance. Still doesn’t take anything away from what a great stage this was though.
4. Inkigayo (13.11.24)
[No video link for the Inki stage at the moment because SBS is a shit]
There seems to be some sort of general consensus that this Inki stage was The Best Yet but while it was awesome, largely due to the amazing set (pyrotechnics, feathers and sheet ghost thingies at the back? uh hell yeah) and K-ST☆RLIGHTs generally being 짱, the shots weren’t all that great. What I’ve noticed about Inki is their extreme love for close-ups and while I have a lot of love for Inki stages normally, today’s fell a little short for me. There were odd close-ups of hands and feet that just didn’t make sense to me and it was just a bit off, overall. But as I mentioned, the fanchants were incredibly amazing and loud today (it seems to get louder with each stage) and I just feel so so so proud to be a part of this fandom, I really do. You can tell that the boys were strengthened too by the cheers because their energy was even better than usual.
I still plan on doing a post about KL/TMW as well since the pictures from the trip have to go somewhere but I’ll probably do it once my exams are over in early December. The ‘VOODOO’ album release is tomorrow at 11am and I can’t wait to hear the eight other new tracks. Particularly excited to hear Ravi’s self-composed track! This week is so important so let’s gather all our 별빛파워☆ and bring our boys to the top (I don’t know about you but I’m particularly dying for some chicken…….. ;)
And because someone needs to share my pain, please have a lovelorn puppy in the form of Lee Jaehwan.